Sunday, December 30, 2018

Flashbacks?

SYSTEM: ANY

Merry Christmas, Happy Hanukkah, Jolly Kwanzaa, Super Solstice, Happy New Year.

I read Edgar Cantero's Meddling Kids over the holidays and am wondering how you'd turn it into a CoC scenario. Specifically, how could you use flashbacks to further the story instead of straightjacketing everyone by what has already happened?

One way is just to have the flashbacks strictly defined, of course: the GM calls for them and the details get filled in buy the end of the scene isn't really in doubt. But I'm looking for something a bit more free-form.

In Encounter Theory (and elsewhere) there's an idea that certain scenes provide a bit of information for the final boss fight, and that's what I'm thinking of. Maybe if you defined what that information needed to be closely enough (and had players who were willing to go along with it) you could say, "this flashback will define whether Bad Guy was at the scene back in the day." Though I haven't read DramaSystem, it might be a bit like a supplication: you want X result, and you get it or not.

In that case, the PCs could call for a flashback any time they want, to remember a crucial piece of information, even if they're running from Old Man Withers-cum-shoggoth.

That seems do-able, though it would add to the complexity. For time reasons, you'd probably want to limit the number of flashbacks to one per PC, and maybe one team one.

Heh...you could also do Rashomon if your players were up to it: all the flashbacks are the same events, but froma particular point of view.

Anyway...thoughts? Would it bend the scenario too much?

Wednesday, December 12, 2018

No, I’m Not Dead Yet

SYSTEM: ICONS

Musings that come out of the latest BAMF podcast. If you want to listen to it first, it is here.

I started by thinking of the old Hero Games practice of labelling certain powers as potential story-breakers. “If someone has this power, it will probably derail many plots and adventures”

While I think it's a great idea (and one I have stolen in the past for campaign design: “These powers are verboten or need to have heavy limits....”), I wonder if the power level is the right place to apply it.

Even though it might be more words total, I suspect that this is a per-adventure thing, and might be better applied there.

A murder mystery, for instance, might be totally undone by a hero's Telepathy, even if the actual killer was set up for Death By Cop and isn't around to be questioned.

<Digression>

A vigilante hero — maybe Touchstone — who gets to pick one crime and his mystical gadget will identify the guilty party when pressed against the perpetrator's skin. Can only be reset by identifying the guilty party or a long mystical ritual that is only worth going through between adventures when the guilty party has no touchable skin, such as jail in South Africa or death by acid. The question must also be asked correctly, but I don't see that as a big problem; a skill or specialty in power use would offset it.

I'm imagining stealth, lockpicking, the Ring of Samash (made of unicorn horn), and two trusty pistols (named Crime and Punishment). Maybe a grappling gun.

In ICONS:

Touchstone
Prowess4Intellect4 
Coordination4Awareness4 
Strength4Willpower5 
Stamina9Determination2 
Specialties Law (+1), Martial Arts (+1), Weapons (guns) (+1), Power use: Detect (+1)
Powers
  • Great (6) Detect: Ring of Samash (Is this person guilty of specified crime?) Limit: Can only change question with Advantage or if answer is “Yes” (+2 levels from 4)
  • Fair (4) Shooting: Pistol Extra: Fast Attack (second pistol)
  • Fair (4) Grappling Gun (Swinging)
Qualities
  • Father killed by escaped criminal
  • Tough DA
  • Mother and brother don't know

</Digression>

Anyway, a given adventure might or might not be derailed by something like Telepathy. In some games, Danger Sense is very powerful and might break an adventure that relies on surprise; in others, it's just an enhanced awareness.

What I'm wondering instead is whether an adventure should have something like this at the beginning:

Broken by

  • Telepathy
  • Phasing


These are powers that are very difficult to safeguard against for this adventure, short of negating the power itself. This includes powers that would normally be circumvented but in this adventure, there's no way to make the circumvention happen.

Bent by

Mind Control
You can get around this by giving Maliciousness some mental defense
Teleportation
Being trapped is important to allow gadget users a chance to shine; if a character has teleportation, the prison is surrounded by teleportation shields that can be bypassed at the cost of burning out the teleporation ability for at least this adventure.

These powers can be circumvented, and here's how! (The reason for the circumvention might need to be adjusted. If the reason doesn't apply in your game, the power becomes a “Broken By” powers.)

Is that useful? I dunno. It seems to me that most writers go through that list any time they produce an adventure for publication, even if only mentally. (Adventures for your home group generally don't, because you know what your group's characters can do. You've either taken care of the problematic powers or they don't show up for you at all.

I know I would have found it useful in adapting some published adventures to my group (yes, I'm looking at you, Champions).

Still, modern adventures tend to do a better job of handling these sorts of exceptions, so maybe this is a solution in search of a problem.

Upshot

Let's broaden the scope a bit.

So in an adventure, we want:

  • Scenes with purpose
  • Problems rather than solutions (generally, I figure that if I can imagine one way to get out, that's good enough; the players can think of more, and I don't ever have to tell them what that one way is, let alone direct them to it)
  • Reusable NPCs and organizations for the world-building
  • A list of things not to do or it will break the adventure
  • A suggestion what to do when the players take the obviously bad turn (Professor McGlothlin talked about this as "What if the characters take the agreement?")

Don't stress yourself out too much, though: you aren't writing a story. I think Mr. Kenson was right in saying that story really happens as you recount the adventure.

And remember:

  • They will try things you had not thought of.
  • They won't do the thing you think is so obvious.

It's a wonder that adventures ever get written at all.

Thursday, November 8, 2018

Dammit.

So I figured I was recovering pretty well from the hernia surgery so I tried going in to work yesterday.

Mistake.

I not only had to leave early but I think I’m back where I was last Saturday.

Farzing grebbernaf bandersnatches!


Wednesday, November 7, 2018

Daughter of Silence (Craigslist story)


I had hoped to have this done by Hallowe'en, but deaths and funerals and surgery prevented that.

As usual, it's a first draft. I might change it later and (I hope) make it better.

It's kind of an experiment, because superheroes are all about competence and horror is all about tension: will this work? Will it not?


The Daughter of Deep Silence

I’m listening to a serial killer, which is not a scenario that usually goes to a good place. Currently he’s just a voice on the intercom but the fact that I’m talking with him means that things have gone wrong.

Like usual.

#

Flashback, yesterday. I’m in my bathroom popping a pimple. This pimple is right inside my knee and it hurts every step I take. I have no health insurance but it’s not a big or deep pimple.

Glamorous life of a supervillain. (Also, it’s satisfying to pop pimples. Do not judge me.)

Anyway, I’m twisted up with a leg on the sink trying to get a good pinching grip and I look up at the mirror on the medicine cabinet.

I am looking at a fleshless skull.

I shriek once because I do not expect this. The skull opens its mouth and in that instant the horrifying image becomes a science experiment.

I open my mouth, it opens its mouth. I close, it closes. I turn my head, it turns. I count teeth on the lower jaw, trying to see of the wisdom teeth are still there, when I notice it doesn’t have my filling.

Then the filling appears.

The conclusion is clear: Someone is messing with my mind. In real-time.

So I finish with the pimple (at least I hope I do; when someone is messing with your mind, anything is possible) and then look up at the mirror again.

A shrouded woman in Victorian funeral clothes is looking at my skull in the mirror. She has empty sockets instead of eyes and is crying blood. Total unreasoning fear floods me and I am stuck there with one leg up on the sink.

I can’t help checking over my shoulder. Nope. Nothing there.

I nod to the figure in the mirror. Professional courtesy. “Red Mary,” I say, as politely as I can without any spit in my mouth.

And she is gone.

#

I was so freaked that I grabbed my dog, Slobberkin, and left, slowing down only to put on pants and shoes. I have practiced getting out fast and I set records that day. I was a block away before I could even think. All jittery from adrenaline, I jogged Slobberkin to the nearest dog park, which made him happy, and I spent a little bit of time not-thinking on purpose.

After I let Slobberkin loose to run like a maniac, I walked slowly, trying to marshal what I knew of Red Mary.

Look, a lot of people see superfolk as evidence of magic without rules. But if there are no rules, how can you plan anything? How can you exploit the rules? So I chose to believe that she was some kind of mutant or dimensional extrusion. Even if she was magical, the magic must have rules, somehow.

Her mission was vengeance: she was no hero. She preyed on those who prey on women. A typical vengeance saw the man (usually a man) flayed, killed, and his corpse reanimated to deal with his enablers. She wasn’t effective in a systemic way: men still abused women. But if you were the man she targeted, well, you weren’t doing it again.

Back in high school, girls said you could invoke her with blood and an invocation, but you couldn’t put her down or control her. We learned the invocation but I don’t know that she ever showed up.

She had been doing this for…a decade? A century? A millennium?

Nobody knew.

My fear slowly went away and was replaced by anger and indignation. I hadn’t hurt any women. I hadn’t tried to summon her. I had been minding my own business.

I sat on the bench and did some searching with my phone. When you put “Protection from Red Mary” into a search engine, you don’t get directed to nice places.

Funny, that.

I thought the gist of it was going to be “So long, you’re done” but unpleasant people had ideas. There were some things I just wasn’t going to do (the thigh bones of a virgin?) and some I didn’t have access to (like the remains of a Catholic Saint) but that left something to try.

That night I put Slobberkin in his crate (I’m crate-training him) and surrounded the crate and the bed with a thick ring of kosher salt.

It took twelve boxes.

It also didn’t work.

#

Air thick and sooty with something industrial. Leaving a child—a little girl, the only source of joy. The girl had a doll as long as my hand, and she showed it to…me? Her mother. The viewpoint. Like going to see Shakespeare, I missed most of what was being said but I got the feeling.

Adjust the dress and out into a smoky awful world. Cobblestone streets, brick houses jammed together and interspersed with wooden shacks like rotten teeth in a hillbilly’s mouth. Fog or smog or industrial fumes. Standing on a corner near a…theatre of some kind?

Victorian London.

The one that sucked, without Oscar Wilde-like parties and witticisms.

A man—no, the man—approached. When he had her alone, he said that she was special. Gorgeous, he said. He wanted her. He wanted…he wanted her blood? A vampire? No, a doctor or something. Had a syringe. He wanted to inject her with something.

I—she—refused.

He offered meus—her—money. No. Rinse, lather, repeat. Eventually it became obvious to us, her, that she wasn’t getting out without saying yes.

He was nice about it, at first; then insistent. She was beautiful, he said; he couldn’t bear to be without her, he said. He didn’t want to lose her again.

I didn’t feel that she knew him. The “again” was just nonsense. I wanted to scream, to tell her that he was obviously a psycho, but I was just a passenger in this dream.

Injection. Burning sensation, a hot itch that spread from the site. He counted five minutes. She was restless, but the payment had included the time.

“Now,” he said sweatily, “now you are immortal. I’ll show you.”

He had a knife.

They say you die if you die in your dreams.

They’re wrong.

#

I jerked awake, like when you have a leg spasm. I wasn’t in my bed any more—I was in front of my computer in my underwear.

The web browser was open to a picture of a man in front of a wall of dolls, which was creepy enough. In the guy’s arms was was the doll, the kid’s doll, because it was the one hundredth Victorian doll this guy had gathered.

One guess who it was.

The caption read, “If you keep looking, you’ll find it. John Q. Alias holds up a rare Victorian doll.”

But it was dated three years ago.

Why me? Why now? She wasn’t there to ask.

If any of it was true: she was in my head. She could be messing with me. For all I knew, my life-long fondness for Super Crisp cereal actually started last night.

I had an hour until it would be safe to take Slobberkin to the park. I switched to the anonymous account and started researching this guy.

The picture was in soft focus, probably to make that damn wall of dolls less creepy. He looked like he was in his fifties, about ten years older than the dream.

His name was as contrived as H. H. Holmes’: Todd Brandon. Widowed (of course). Inherited wealth from his “father.”

There are clues to being long-lived; three people have been revealed since 1980. Still, having money is its own superpower and nobody really looks. But: mysterious inheritance, check; long-held property, check; reclusive or multiple residences, check; collector of antiquities of some sort, check. Contrived or symbolic name, like A. Lucard or Jack L. N. Hyde, optional.

Apparently immortality comes with a love of wordplay and callbacks.

Brandon’s local house, the one with the doll collection, was in the Maryhill district. Maryhill was where the rich folk lived but the city crept up on it. I knew the area because there were a couple of houses there on my to-burgle list.

It was dawn. I stretched, brushed my teeth and dressed, and took my dog out to Maryhill to look at the house and area.

#

Supervillainy isn’t all superpowers and big fights. To case the house itself, I got a briefcase with glossy stock info, had Shelley put business makeup on me and dressed in a power suit. Drove up in a posh (stolen) car and rang the doorbell. Mr. Brandon wasn’t in, said the lady, but he was expected. I wasn’t on the list, but I could wait in the office?

I left the briefcase there and asked to use the powder room. No escort, so I made sure I wasn’t being watched and headed for the second floor.

The bastard had rooms of dolls. Each doll room I saw had a pattern inlaid in the floor that looked, in a word, mystical. Clever: couldn’t be erased that way. And every second I was there increased chance of discovery.

Finding the doll would have been great. Being caught by staff wouldn’t have been terrible: I’d have been reprimanded and thrown out, but at least I would have cased the place.

Being knocked unconscious and tied up was not on my list.

If you live, you learn.

#

“I don’t suppose you’re a virgin, hmm?” was the phrase that woke me up. He had a mushy British accent and some kind of speech defect. “Not in these days, more’s the pity.”

White tile and overhead lamps made the room look like a surgery from the turn of the century. What I saw next was the neatly labeled jars of chemicals and organs. I was fastened to a big padded chair, like a dentist’s chair. He had his back to me as he fussed over a tray of syringes and ugly stainless-steel instruments.

He turned around…and the flesh above his mask was yellow, cracked, and peeling. Along with the light on his head, he had some contraption to drip fluid on his eye because there was no eyelid there.

“It’s been a long game, with Mary.” He chuckled. “She wants that doll. She sends someone, I catch them. Letting her select the victims turns out to be much more…effective. The whores she picks are so rarely missed.”

I found my voice. “You’re working together?”

He shook his head. “She’d kill me, if she could. Not that it would get her the doll; every room is warded.” He tapped the syringe once to get the air bubbles out. “Now, there might be…well, a lot of pain, but when I’m done, part of you will live on. And it’s to let me continue to do my scientific work, which is the most noble purpose someone like you could have.”

I nodded and swallowed the fear in my voice. He mustn’t hear the fear.

“Doctor!” I called in the lady’s voice from behind him. “Sorry to interrupt you. At the door. A policeman says he must talk to you.”

“I can’t be disturbed. Not until I’m done.”

“He insists.”

The Doctor slipped on heavy wraparound sunglasses and adjusted his wig.

No sooner was his back to me than I was tugging at the restraints. They were metal and I couldn’t get free. Maybe someone with more time could, but I only had a minute, maybe three. He shut the door behind him. I heard the bolt slide shut. Distantly I heard him on stairs, but the door muffled everything.

Sometimes metal has a resonant frequency, like the Tacoma Narrows disaster. I sang at the restraints. I started with a low note, increased pitch until I found the right frequency. The restraints started to throb against my wrists and ankles, through the padding. I added to volume just like pushing a kid on a swing to make her go higher. Ten seconds. Twenty. A minute. More.

My wrists and ankles started to go numb from the vibration.

I heard the bolt slide again.

Harder, harder—

The restraints exploded. I fumbled on the table for a scalpel, lurched forward on numb feet.

He came in, locked the door behind him…

…and I stabbed him in the throat. He crumpled.

Stabbing him was the only way I could buy time. I wasn’t a fighter, and I knew that killing him wasn’t permanent.

He was still moving so I pulled the scalpel out and drove it in again, then slashed across the back of one knee. If a pimple there made me walk funny, cutting his tendons had to do more.

Scalpels are not made for cutting through cloth; under the pants I left a red line but didn’t cut tendons. I sank the scalpel into what I could reach, his belly, and twisted. It had to hurt. He stopped moving. He might have been faking it, or dead but getting better.

All I wanted to do was get out, with the doll if I could. Three steps got me to the door.

In clear violation of fire codes, the door had a combination lock. It didn’t move when I tried it. Locked.

Hinges on the inside, so I could remove the hinges. Would it be faster?

No: the pins were held in with some kind of welded flange.

I quickly glanced over to the air vents. Not big enough for a person.

Like he expected people to try to escape.

I had waited almost too long: Before I tried unlocking the door I ran over to a shelf and grabbed a bottle labeled Muriatic Acid in neat handwriting, dumped it onto the Doctor’s head. He had to stay dead while I worked on the door. The sound was awful and the smell was worse—and the Doctor’s scream bubbled on until he died again.

Memo: In future, try to carry gear even in a disguise.

I huffed on the buttons. Some must have been used more than others and they might be detectable. Breath condensed differently on 1 and 8 than the rest of them.

The Jack the Ripper murders were in 1888. I tried that, because see comment about immortals and wordplay.

The door pulled open…and behind me I saw the Doctor was no longer on the floor.

I didn’t know where or how he was hiding, so I left and made sure the door locked. Then I broke the lock, but that ruined the scalpel.

#

I was in a hallway. Through doorways I saw windows and night time beyond. Floodlights illuminated the middles of trees. The building had four storeys, and I was near the top. The doll was on the second floor; I could even use a window from there, but at four floors, chances of survival from the fall are fifty-fifty.

He said from the room beside me, “I’ve dealt with murderous sluts before, of course.”

How did he get there—? Ah. He was talking to every room on the intercom.

Sounded like a lot of his mouth had grown back. (Too bad.)

“I have people guarding the doll and the exits.”

I’m sure “people” was defined loosely.

“Unfortunately, forcing that kind of…regrowth…makes my need for you more urgent, so you are not be allowed to leave alive.” There was the tuneless hum. I’d heard it before, in the dream. “I’m coming for you, you wicked little tramp.”

Moving fast down the hallway, glancing in rooms. Please let one be an old timey drawing room with weapons. Please, please, please.

Nope.

I was out of hall. There was a bedroom left and probably a stairwell right, and a view of the lit driveway in front of me.

Options: Stay on this floor and have him catch up again. All I had to do was lose that fight once. Go down the stairs to the second floor (doll) or ground floor (exits). Open a window and leap for the trees.

I heard a shuffling noise behind me. I looked up: lights were going out along the length of the hall and there was a dark figure heading for me.

I ducked into the bedroom and realized that I should have ducked into the stairwell but he said he had people waiting on the ground and second floors. There I might have had a chance; here I could only pillow-fight him to death.

I wasn’t going to turn on the light, but I could hear his ragged breathing.

He was waiting there, with a knife.

The only thing he might not expect was an attack. I dove for his legs, because they were away from the knife.

He didn’t fall but at least he missed.

I rammed into him at frenzied speed and he didn’t fall.

My arm ached from the impact. I rolled to one side and grabbed a chair leg. It didn’t move either, so I pulled myself away from him as he lunged.

I pulled myself up and heaved on the chair—

It was bolted to the floor.

Whiskey Tango Foxtrot, right?

He lunged again but I kept the chair between us. The room was dappled from the outside lights but I could see a blackness behind him, between the bookcases. I ran for it.

Yeah, if there’d been something there I would have gotten a broken nose or worse but it was a door, and I shut him out.

As the door—wall?—shut silently, soft lights came on, near the floor, like theatre lighting. Enough to get around.

A secret passage. Very Scooby-Doo.

He could get anywhere in the house. And the lights automatically turned off when you opened the door, to keep victims unaware.

This was his murder castle.

He’d be back in the passage as soon as he got to another secret door. As I reached the railing for a circular stairwell, the stairs the lights went out again.

I started running down the stairwell. The metal stairs were carpeted for silence but I realized he could feel my movements down the stairs. He’d know when I left.

Dammit.

I descended to the bottom of the stairwell. Maybe the people on the ground floor wouldn’t expect me to come up.

The lights went out when I opened the door, and I couldn’t see a damned thing.

The basement was a terrible idea.

I slipped off my business blazer and used it to prop open the secret door. Let him stay in the dark.

(Maybe he’d trip and break his neck. That might slow him down.)

I groped for the door, slipped out. Found a light switch.

No, he wasn’t waiting for me. Instead there was a wine cooler of sorts. The whole wall was a refrigeration unit full of…bottles, face and label out. They were medicine bottles, like cough syrup bottles. The ones near the bottom had hand-written labels but farther up they were laser printed. Most of them seemed empty, but the top few were turbid.

There was something…cloudy…moving in them.

The floor was wooden, with more of those probably-mystic sigils.

“Ah, you’ve found my wine cellar.” A phlegmy chuckle. “My vault of ages, as it were.”

He was behind me. Dr. McStabby.

“I have a gun. Please don’t be foolish. I have three bottles of life left so while my need is urgent, it is not that urgent.”

“Stolen life?”

I could hear the shrug. “Eternal life. What one loses, another gains. Before my methods were crude but now I can extract life essence—vril or whatever you want to call it—and store it. Mass production is the next step. Men will pay handsomely.”

“I thought you were in this for science?”

“Factories made Britain great.” He waved me away from the wall of bottles. “Obviously you are some kind of mutant, to affect the chair as you did. That makes the estimate rough but you might have a good fifty years left.” He edged past me, covering me, and opened the door. “Together these have only twenty-seven years left. I use it at my accelerated rate and they made poor life choices.” He grabbed a bottle.

“You have pushed my abilities to the limit, you little tart,” he hissed. “I’ll need everything here and more to recover fully, and you’re going to give me the ‘more.’”

I screamed, but not in the terrified way. I screamed in the sonic-powers-breaking-every-bottle kind of way. Dr. McStabby screamed too and fired, but the shattering glass, including the bottle in his hand spoiled the shot.

I switched to the other sound, the one that sometimes makes people sick…

It had no effect on him.

He fired again. His hand was shaking but I had no idea how many shots he had left and when he would stop missing.

I thrust the neck of a bottle into his chest. (I was aiming for his throat.) I kept shoving and I pushed him back onto the pegs of the rack.

Couldn’t lock him in; I had shattered the door—

He roared and hit me, hard.

He was a lot stronger than I was. I slid across the broken glass to the open door. Sparks flew as I knocked it off its hinges.

If I was going to die, I was going to take him down too. I grabbed the wires that ran to the thermostat and jabbed them in him.

He actually paused. And laughed as he backhanded me across the floor.

“There’s a transformer, silly girl,” he said. “It’s a few volts, nothing more. Now I’m going to make this painful.”

I jammed the broken glass into the crevices in the floor, as if I were trying to pull myself up, and pulled. He was going to hit me again.

He did. Fire in one of my kidneys.

“Let’s let your life force out.” I could feel it.

I tugged at the flooring inlay again.

He knelt over the wound, inhaling my life. My life force.

I tossed aside the piece of flooring. Mystic sigil un-mysticised.

I said the words I had learned in high school: “Red Mary, defender of women, destroyer of men, I call you.”

I blacked out.

#

A gift: The wound was gone. I collected the doll and my personal belongings, cleaned off my fingerprints. In the kitchen I lit a candle and put it on top of the refrigerator.

I opened all the gas vents before left for home, closing the door carefully behind me.

They ruled the fire to be an accident.

The doll disappeared from my apartment that night.
And I haven't heard of Red Mary since.


Characters

Red Mary

Red Mary is here.

Dr. Jack















Prowess4Intellect5
Coordination4Awareness5
Strength7Willpower<
Stamina12  
Specialties
  • Weapons (Blades) (+2)
  • Medicine Expert (+2)
  • Stealth (+1)
  • Occult (+1)
Powers
  • Immortality 4
  • Regeneration 7
  • Resistance (Mental) 4
  • Slashing 3
Knacks
Relentless (+2 on Stunning rolls & vs.
Stunning)
Qualities
  • Ready to retire
  • Torture is necessary and fun, too
  • Immortality serum must be renewed

Wednesday, October 17, 2018

Musings as avoidance

SYSTEM: ICONS

Thoughts while I try to avoid thinking about the bad news that’s consuming me.

  • I just realized that putting an Affliction as the secondary effect on an Energy Drain (Or any damaging attack, really) gives you lingering effects for the attack. Like, the blood thinner on the sword makes them keep bleeding, or the vertigo (stunning) that just won’t go away.

    Might be an interesting way to treat lingering effects for some genres. (Trouble or a new Quality might be better.)

  • I just got BubbleGumshoe and I’m thinking about where and if you could blend it with ICONS, though maybe without a Quade diagram equivalent: silver age and before had a number of mystery books. Might be good for a Crisis-style arc or short-shot: they’re often structured around mysteries, like Heroes in Crisis or Identity Crisis.
  • Could you do a fifteen-minute podcast that’s just fleshing out adventure ideas? Get two or three people to talk, each episode someone brings a premise and they riff on it for fifteen or twenty minutes? Would that even be interesting? (Okay, it would be to me, but I suspect there already is one like that; I just don’t know about it.)

  • I know there’s something about teen heroes that isn’t served by Masks, but I haven’t been able to put it into words. Thoughts?
  • Why doesn’t Deadman find someone brain-dead and possess them permanently? (And then set about killing Rama Kushna, perhaps)


  • Do self-aware tulpas found religions? Do they lock up True Believers so they have assured existence?


Monday, October 15, 2018

The Unsquad

Icons

With Halloween around the corner, I wanted to do something a little odd but was out of inspiration on the whole monster thing. So here's a team of PCs I might use for some con thing or another and which try to get a bit of that Grant Morrison Doom Patrol flavour.

The Unsquad

Meet the Unsquad.
The leader of the Unsquad, Director Wye, has brought together individuals with the promise of giving them control over their new selves and improvement. Each member joined for separate reasons:


  • Headache thinks he needs more control over his powers.
  • Gallowglass thinks she needs access to Headache and some way to control the Faery curse so that she can die on her own terms.
  • Rorrim wants to be freed of the malign spirit that makes her a succubus killer.
  • Rabbit Howl wants controlled contact with humanity.

Of course, none of them know much about Director Wye, who is in fact a union of spirits. Director Wye's ultimaet purpose can be good or sinister, as you wish.

Headache

Headache (Karl Young)
PRWCRDSTRINTAWRWIL DP Stamina
34364619
Specialties
  • Psychiatry (+1)
  • Stealth (+1)
Powers
  • Great (6) Reach out and touch... (Mental Blast)
    • Extra: Telekinesis
    • Extra: Telepathy Limit: Preparation
  • Good (5) Hinky-sense (Detect Psionic powers)
    • Limit: Preparation
    • Extra: Detect Metaphysical weirdness
Qualities
  • It's science, baby.
  • Feels like he couldn't hack the big leagues
  • Needs family and support
Notes
  • A distruster of magic and cosmic weirdness.
  • A special distruster of people who claim they are relatives way back.
  • Protective of Emily, and oddly possessive of Rabbit Howl: when drunk, he considers the cryptid his ticket back to the big names of superhero-dom.

Gallowglass

Gallowglass (not Headache) might be the token "normal" or average person. Just an immortal mercenary who has been cross-dressing as a man for so long she/he doesn't really remember what sex is preferred.
Gallowglass (Aubrey Young)
PRW CRD STR INT AWR WIL DP Stamina
5 5 4 4 4 5 2 9
Specialties
  • Military Master (+3)
  • Stealth (+1)
  • Leadership (+1)
  • Weapons (Blades) (+1)
  • Weapons (Guns) (+1)
Powers
  • Supreme (5) Immortality
  • Weak (1) Life Support (unaging)
  • Fair (4) Magic Sword (Slashing)
  • Fair (4) Gadgets
Qualities
  • Immortal mercenary, cursed by Faery
  • Always has something handy
  • Has seen most everything: "This is just like the time..."
Notes
  • Though the Gadgets covers some improvisation and tinkering, it is mostly about whatever equipment Gallowglass brings along.
  • The choice of last names is not accidental: Her brother was Headache's great-to-the-fifteenth grandfather.
  • Has a secret that must be imparted to Headache, once he believes.
  • The sword always returns, even if it has been taken or destroyed, though the right magical restraints can keep it away. It never needs sharpening. Its magic nature might allow it to penetrate some magical defenses, but that hasn't been tested.
  • A mercenary in Joan of Arc's army, Aubrey pleased the Queen of the Faeries and received the sword as a gift. But then she angered the King of the Faeries, and received a curse that included everlasting life.

Rirrom

Rirrom (Emily Lime)
PRW CRD STR INT AWR WIL DP Stamina
6 4 3 5 3 5 2 8
Specialties
  • Athletics (+1)
Powers
  • Supreme (10) Power Mimicry
    • Extra: Theft
    • Limit: Unstable; theft starts after failed roll, 1 level per page
    • Extra: Side Effect: Energy Drain on theft; Extra: Life Drain; Limit: Uncontrollable
Qualities
  • Looks like a bad copy of the person whose powers she has stolen.
  • Deathly afraid of touch, but needs to touch.
  • A tween who looks like an adult
Notes
  • Summer vacation. Her parents, true nerds, were helping on an archaeological expedition. A seal was opened; a thing was freed. Poor Emily was standing in the wrong place: She was standing in the spirit trap. Now she and the spirit are fused, and her parents have sent her to live with Director Wye.
  • Was on the track team and the basketball team before the entity came.
  • Regards Rabbit Howl as her pet.

Rabbit Howl

Rabbit Howl (Unpronounceable)
PRW CRD STR INT AWR WIL DP Stamina
5 4 8 3 4 3 1 11
Specialties
  • Linguist (+1)
  • Occult (+1)
  • Stealth (+1)
Powers
  • Fair (4) Invisiblity
    • Limit: While standing still
  • Fair (4) Extra Body Parts (claws: Slashing)
    • Extra: Carapace (Damage Resistance)
  • Good (5) Mind Control (the Rabbit Howl)
    • Extra: Broadcast
    • Limits: Only confusion/amnesia (pays off extra), preparation (+2 to level), performance (+2 to level)
  • Weak (1) Super-Senses (see in dark)
  • Weak (1) Super-Speed
Qualities
  • Looks like a monster
  • Cryptid: Shy and secretive
  • Loves novelty
Notes
  • Rabbit Howl is a cryptid, from a secret society of cryptids. His appearance in the Unsquad is the result of his own isolation and the clan pushing him out to test living openly among humans. (If this experiment doesn't work, there are no cryptids, there never were, Rabbit Howl was a mutant, no need to look for them, bye.)

Tuesday, October 9, 2018

Monsters and superheroes

SYSTEM: ANY

I have to admit, I was always a big fan of Morbius. The whole vampire-but-not-a-vampire schtick appealed to me, plus I used to own the original Spider-Man appearances. The generic field of "scientific monsters" is generally intriguing to me but can be hit or miss; I was not interested in Man-Wolf, for instance. The Moore retcon of Swamp Thing made it more mystical and less scientific, even though it walked in through a very scientific door, the flawed flatworm research of the 1970s. (Side note: has anyone preserved the issues of Worm Runners Digest from those days? I should check; I know that "Hygiene Habits Among the Nacirema" was preserved.)

In fiction, I certainly liked "The De-Mythologized Werewolf" and Green Eyes, which tackle werewolves and zombies, and I Am Legend has a different take on vampires (no, not the Will Smith movie...the book by Richard Matheson).

The scientific veneer gives the monster a hook into the Silver-Age-and-later superhero world that makes it square more with the can-do attitude of those stories.

And horror stories don't have to be non-scientific: I think Blood Music is a fine horror story, and so is "Sandkings" (and that one is structured very much like an EC horror comic: "You sharpen the pencils, the pencils sharpen you.")

Science and monsters don't have to conflict, is what I'm saying: in its day, Dracula was a technothriller, and Frankenstein is all about science.

So when I was casting about for some monster to put a scientific gloss on, I ran across a number of examples, drawn here from comics:

  • Vampires—well, there we have Morbius.
  • Frankenstein's Adam—is your scientific flesh golem (well, technically, flesh golems were invented to take advantage of his legend, but I digress)
  • Werewolves—there's Man-Wolf, of course. The implication in some stories is that lycanthropy is a heck of a disease (and in fact, I can see a story where it was meant to be a magical cure for cancer, but it ends up channelling that rampant cell growth into metabolic changes). Both the Thing and the Hulk are kind-of werewolves, too, but not enough to make my heart sing.
  • Witches—in fiction, the gods of several of Roger Zelazny's books are people with highly advanced science. I think nanotechnology has been used as the varnish to put witchery on a couple of characters, but I can't think of an example off-hand. Still, the basic cosmic character is so close to a witch (and the imagery of the Green Goblin) that I don't think anyone has tried.
  • Demons—have been aliens in a number of places; in one version of DC's history, the bespoke demons were other-dimensional inhabitants who moved into Hell, but were taken over by the renegade angels.
  • Zombies—have been a disease but haven't been given any other rationale that I know of. (Ghouls are rather the same.)
  • Anything from Lovecraft has its scientific gleam backed in.

I can't think of any others, which is rather my problem: coming up with a monster to "science-ize" is difficult. Lots of monsters can be made scary but aren't creatures of horror, really. They're monsters, sure, scary but not necessarily horrifying.

(Having said this, you will now come up with three dozen I have myopically underlooked.)

Monday, October 8, 2018

Thanksgiving

In Canada, today is Thanksgiving day, and it seems like an ideal time to say thank you.

Thank you to my friends, those I've played with and those I haven't met yet.

Thank you to the creators who have inspired me with their works.

Thank you to the various people who have taken a chance on me in both personal and professional capacities. Even though I haven't lived up to your expectations, you did not owe me the chance, and I'm grateful for it.

And, just to round it out, can I say that I'm sorry to the people I have wronged? I'm not the most self-aware person*, so if you're thinking, "If he were really sorry, he'd know what he has done wrong" ...except I have a list of things I have done that is somewhat longer than your kitchen table and a memory somewhat leakier than a screen door. I know that I have wronged people (I can think of two dates where I behaved abominably, for instance, and there are a lot of missed deadlines in there...). f you were to present me with your grievance, there's a very good chance that I'd acknowledge it and admit that I behaved badly...there's even a chance that I try not to live my life that way now...though I'm not a saint, and sometimes the barrier between self-knowledge and self-correction seems insurmountable.

TL;DR: If you're reading this, thank you.

This concludes your mushiness for another few months.

 

*I was going to have a footnote but I changed my mind.

Sunday, October 7, 2018

Red Mary

SYSTEM: ICONS
Something for the Halloween to come...the spirit of vengeance
Red Mary
AttributesPRW3INT4
CRD4AWR5
STR 3 WIL 7
Stamina11Determination 
SpecialtiesOccult (+1)
Powers7Incredible Illusions
7Incredible Mind Control
  • Limit: Only works on person who has been Illusioned this chapter
  • Effect: Summon as zombies those killed while under her powers
7Astral Projection Limit: Constant
Knacks
  • Dreadful Presence Her presence causes Emotion Control: Fear (Burst) at her Willpower level
Qualities
  • Ghostly Spirit of Vengeance for wronged women
  • Can be summoned but not dismissed
  • Something on the mortal plane she still values (you decide what)

Tuesday, October 2, 2018

Poindexter, the Vampire Tagger

Look, vampires are a rare and endangered species. Or subspecies; the science isn't in yet. What we have to do is find them and tag them. Obviously, they're surprisingly intelligent so they recognize normal tags. But this pneumatic injector puts a radio chip inside them. Hit a big meaty structure like a thigh, if you can.

Yeah, you have to catch them, but it's a humane catch-and-release program.

Oh, you laugh at me, but when my cousin has to relocate one who has developed a taste for human blood,  she does the dangerous work? She's got cages, a truck, a plane...she's put three on a certain island already. I have to get close enough to tag them and then get away.

Listen, I got the tough job.

But it's for Science.

Today's freewriting...

Included this (from the voice, I think it's Mynah again):

I’m talking with a vampire, which is not a scenario that usually goes to a good place.Currently he’s just a voice on the intercom but the fact that I’m talking with him means that things have gone wrong.

Friday, September 28, 2018

Okay, a shorter draft of the Dark vs Spark adventure

SYSTEM: ICONS

To try and restrict myself this draft was done in Google Slides. There is nothing elegant about it, but I got to throw out many many words. It's down to 42 pages, but they are mostly 42 airy pages with 11 point body text.

With luck, most things are confined to a double-page spread: title usually on the left, picture on the right. Usually there isn't a picture. Character writeups got short shrift.

And I really hate the title. The longer I look at it, the less it has to do with anything but the end reveal.

You can look at it here. 

If I ever return to it, it will be to put artwork in and sweat through how you convert something like this to Scribus. 

I'd also reconsider how I did the character writeups: rather than making them the top or bottom half of the page with room for a portrait, I'd do them as one of two columns. Then a portrait (if any) could go on the right or, if you were cramming for space, you could have at least two a page. However, the current setup is fine. 

Tuesday, September 25, 2018

This Group Is A Team?

SYSTEM: ANY
Long preamble: For Christmas one year, we gave my son The New Teen Titans volume 1, and he left it in Ottawa. Eventually my brother-in-law returned it and my son wasn't around (I think he was at work). I decided to read it. At which point I discovered that there was introduction or foreword by Marv Wolfman. (I can't check any of this, for the book has disappeared back into the black hole that is my son's room.)

He mentioned something he had done when creating the new Teen Titans: He made sure that each triplet of the six main characters had something in common. Robin, Cyborg, and Changeling all had self-image problems in a way: one was concerned about being his own man, one concerned about being a man, and one concerned about being liked though he figured he was a Jonah. He goes through the items that the women had, but it extended on, too: Raven, Robin, and Cyborg probably had something. No matter how you sliced it, that three of them had something in common.
It was Wolfman's way of making sure that this was a group of people who would be friends and associates, rather than a junior Justice League.

Just recently, I ran down the list of players for this play-by-email game I'm doing. Right now, it's a shakedown phase and I'm doing solo adventures with each one, and each adventure has its own tone:
  • The famous architect who has just discovered he is half-fey (sort of a changeling) and who controls shadows: his adventure has a sort of DC Sandman vibe
  • The intrepid agent and vigilante who is skilled at espionage: he is slowly uncovering what will be a conspiracy to control something, probably the government
  • The big lovable earth-controlling lug who adores sharks but is afraid of water: he is the new guy on the (NPC) team, so he is the fly in the ointment for a plot to gain revenge on the team
  • The kids' science show host with transmutation powers who tries to make every moment a teachable moment: his is a very Silver Age story, with a villain who has Alteration Ray (growth) and whose eventual purpose is as yet unknown
Not exactly a set of cogs that mesh together to form a watch.

But what if I (or any GM) took a hint from Marv Wolfman and from Spirit of the Century? What if I asked each player to say what his character has in common with somebody else (or two somebody elses)?

We've done this informally in session 0 at the table, where people riff off each other ("Oh, so your earth police liaison can be my sister, so we run into each other that way"). But why not make it formal?

(It occurs to me that some of the background questions in Masks do this, but it's a lot more structured in Masks.)

Sometimes that reason is baked into the campaign:
  • You're all students at the Cugat School for the Different
  • You're all in the same squad in the military/spy service/police
  • You're all family members
  • You're all outcasts because of your powers
  • You're all on the run from the Spinelli mob
Good players do this anyway: find a reason for the characters to be together. Yeah, eventually someone might leave because the pressures make it inevitable, but that's a player choice. You have to find a reason why your supposed loner character is hanging around with these guys in Spandex, right?

What I'm proposing is a little more Justice League, because the reason can be as small as "I know and respect person X".

Anyway, the point is to give the characters a reason to hang around together besides "We're the characters that the players came up with."

Monday, September 24, 2018

Open Source Adventures

SYSTEM: ANY Here’s an idea I had a while ago: open source adventures. Get a repo on GitHub and produce some adventures. Each adventure is in Markdown format (or tighter if necessary). The folder contains the text of the adventure and game stats for various games. We’d use some tool for creating the final HTML or PDF for the output. Eventually it would need a database to keep track of the adventures probably my keywords. You’d maybe want to have three levels of access: people who do system-specific conversions or provide keywords; people who write the adventures, and some kind of gatekeeper who makes sure that the new change doesn’ Contradict the other parts of an adventure. I think those sorts of changes would still be accepted but in a “retcon” folder: these changes alter the intent of the adventure.

Hope City NPC: Agent Anything

SYSTEM: ICONS

For the play-by-email campaign, here’s the government liaison for the “official” super-team (mostly NPCs and only just promoted to official status).

The team liaison: Agent Anything:

Perpetually three weeks from retirement, Agent Anything is the team’s Government Liaison. As a superpower, he can imitate and duplicate the function of any object between the size of a rotary desk phone and a tractor trailer. He was pulled from the field when he imitated a rotary phone but everyone in the embassy has gone to push-button phones that were too small. If startled he will often imitate something obsolete (he can do newer stuff, he just doesn’t think of it in an emergency).

Agent Anything (Ian Hampton)
PRW Fair (4) Specialties
CRD Good (5)
  • Sleight of Hand (+1)
  • Investigation (+1)
  • Military (+1)
STR Fair (4)
INT Fair (4)
AWR Good (5)
WIL Fair (4)
STA 8
Det 3
Qualities
  • Government liaison
  • Not like it used to be
  • “I’m old, I’m not dead!”
Powers
  • He has Incredible (7) Transformation 7 into objects and a Magical ability to duplicate their function. It’s Instant but these days it’s also Tiring.

Thursday, September 13, 2018

A fraction of an idea

SYSTEM: ANY

I started off by wanting to think of an adventure where the heroes had to be villains...not in the "We're killing everything in order to save it" way, but say as hired thugs to some bad guy.

Then I realized that I wanted to do it as troupe play, where everyone has two-and-a-half characters:

  • Their hero, who is the primary character
  • The bad guy based off the hero, who is the half character, and who the hero has to impersonate
  • The other hero, assigned to bring in the bad guy because apparently the bad guy killed the main hero...

Would it work? I dunno. It's still a portion of an idea.

Tuesday, September 11, 2018

Solo superhero gaming

SYSTEM: NONE I throw these questions out to you:
  • Favourite superhero rpg?
  • Favourite for solo play?
  • Favourite for online play?
  • Different RPGs or the same ones? (Or do you house-rule for the situation?

I ask because I had a sudden fleeting urge to write a solo supers RPG, and I immediately got bogged in what I want from it

Monday, September 10, 2018

Time for/and Encounter Theory

SYSTEM: ANY

As I've probably said at boring length, I've been reading the draft of Ben Riggs' book on Encounter Theory. I'll recap the theory very quickly and then I'll talk about a thought I had today.

Skip this recap if you want

Encounter theory states that the important part of a roleplaying adventure is the encounter. That's where the character events actually happen. The players can do anything in the encounter. If it doesn't lead to interacting with an NPC (like a monster) or some facet of the setting, the GM can make it up.

And forget all that story stuff: RPG adventures are different and a lot of story stuff just doesn't apply, because the story doesn't exist until you add players.

Uh, Great Adventures?

Nominate one. I have never played any of the ones I hear about ("Ravenloft"; "Masks of Nyarlathotep"; maybe "Dracula Dossier") and my group was alway into brew-your-own-environment so I have no standards regarding published adventures.

Back to the point

So the idea is to present a reason to adventure, right at the beginning, some kind of modivation.

Then there are a series of encounters. Each encounter leads to one or more other encounters.

At the end, there's a climactic encounter that provides some sense of resolution.

There's a reason that it looks like a dungeon map: because it is. Sometimes the doors aren't literal, but that's what it is. (Somebody—Jonathan Tweet, maybe? John Tynes? Kenneth Hite?—pointed this out, possibly in D20 Call of Cthulhu.)

End of the Recap

Now, I'll buy that story, such as it is, is constructed after the fact in the minds of the participants. The arc of the antagonist is constructed by the GM as a result of player actions, but it can be heavily influenced by the adventure writer.

But Here's the Thing

One aspect of story is implicit in the design of Dungeons & Drangons: Change.

Change is important in most types of stories, even stories involving iconic characters who themselves don't seem to change. The world is tilted at a Dutch angle every time a client walks into 221B Baker Street, and it is Sherlock's mission to set the floor horizontal again.

That's not character change, but it is change. (I don't think that character change is essential in all kinds of stories.) Character change is simulated in D&D by having the character go up in levels.

It can be further simulated by a recurrence of the villain: if the big bad guy wipes the floor with Our Heroes early or even midway through the adventure and then is defeated by them at the end, the players feel like they grew. If someone dies and has to be replaced during the adventure, the players feel like there has been change.

When the Antaeus Gang defeats Batman at the beginning of the story but loses at the end because he has discovered that all of their powers are negated if they are in the air, that's a kind of change.

And on my incomplete reading, Encounter Theory doesn't address this at all. (It may: incomplete reading, remember?)

How to Make Change

At this point, I'm just talking about creating the markers of change, so that players can impose their own meaning on it. Going up in levels doesn't mean that your character has suddenly Learned To Be A Better Elf, it means your character is better at hitting things or casting spells. But it's enough for players to hang change on.

In a game where there is character change (whether it's just leveling up or there's some kind of Aspect mechanism where the Aspects change over time), then the answer is to have the adventure take long enough for that quality of the characters to change...and have the new abilities important to the climax.

In a dungeon, there's usually some kind of change with levels: level 6 is tougher than level 1 was; level 15 has the Lich King. There's a kind of progression.

From a roleplaying point of view, I think it's important to tie these changes to the player actions. Yeah, it's great that the villain finds Jesus and decides to give up crime while the heroes are busy with that little problem in MegaDecaLopolis, but it just feels imposed from without. We're trying to create the illusion of change caused by or with the players.

One of the easiest ways to create change is to change the world. That is, the player characters don't have to change, but the world around them does. The PC actions cause the downfall of the kingdom.

You can change the way the PCs see the world. Batman isn't any different than he was at the beginning, but he can change the world by setting up some trap that separates the Anteus Gang from the ground.

In a similar way, you can change the people in the world. This normally happens organically as a result of the players doing things. The girl becomes an orphan, dresses as a man, and joins the army; the hard-headed reporter is inspired to don cape and cowl herself; the four-armed alien who fought the PCs at the beginning decides to dedicate its life to peace.

The last thing you can do is change the quality of the opposition. It could be as simple as the level of the opposition: you're going to go from your skeletons to your Greater Shadow to your Mummy Lord in terms of the quality of the opposition.

Sandbox games with timelines have external change of all of these. Act too soon, and you're not prepared; act too late, and they're over-prepared.

This part is still hazy for me, but it seems to me that a lot of a story or what feels like a story hinges on how the main character reacts to the opposition. Because we've posited that you can't dictate PC change, you have to change the opposition.

One of the ways is the level of opposition, as we mentioned. But another way might be to emulate the dynamic of a story by changing what the bad guys want as well as switching up the level.

This is time-based. It forces you to have a beginning, middle, and an end...it's strongly implied by your encounter structure that there are floors to this metaphorical dungeon. Sure, if they find the stairwell, they can descend very far, very fast but the outcome is likely to be disastrous.

Now To Do Exactly What You Should Not Do

...which is think about roleplaying adventures in terms of story structure.

I'm trying to limit myself. I'm trying to be restrictive. I'm trying to keep this with the floors-of-the-dungeon metaphor.

Well, okay, I'm not. I'm going to stick with Batman and the Antaeus Gang. But I am going to restrain myself from inventing something with all four elements as lieutenants and then Gaea as the big bad. No; we'll strive hard to stick with the Antaeus Gang and their minimal superpowers for now.

Let's divide the adventure into four parts, in homage to Larry Brooks and Steve Kenson both: either Set up/Response/Attack/Resolution or Threat/Investigation/Challenge/Comeback.

  1. For the first part of the adventure, maybe only the first fight, the Antaeus Gang wants the money at the bank or the item at the museum.
  2. For the second part of the adventure, the Antaeus gang is responding to Batman, maybe thinking they can get rid of him and the rest of the Bat-family will soon fall! In this stage, they specifically target Batman and Robin.
  3. The challenge phase is where the PCs attack but the odds are probably still overwhelming. During this stage, the heroes learn the new way to look at the world, or the secret that will make hash of the bad guys.
  4. Now, against the toughest odds (the entire gang! While Batman and Robin, drawn by Dick Sprang, are held in go-go birdcages in a vast warehouse, the gang tries to, I dunno, summon Gaea but Batman and Robin get free and fight them, winning this time because they have done something clever.

Harder to implement? You bet. But if you, say, have a list of these four different approaches and keep them in mind, things can still happen in any order...you just have to be ready to improvise NPC actions and motivations that are appropriate to what has gone before.

But weren't you anyways?

Sunday, September 9, 2018

Here, have some free-writing to ignore

SYSTEM: ICONS

I know that fiction is the least popular thing here, but have some text that fell off my hands today. It has been a long weekend of dealing with estate and executor business, and I have no brain for anything else.

If I figure out what this story is actually about, this is probably the start of a Mynah story.

* * *

I am liberating some diamonds from their current imprisonment in a Kraft paper envelope in the second drawer of a locked safe when this translucent glowing head thrusts through the drawer and begs me.

“Help me, Obi-Wan Kenobi, you’re our only hope.”

The words were different but the intent was the same.

Unfortunately, the room with the safe is miked for sound and while I can negate sounds like footsteps or careful drilling to open the safe, I can do it only if I expect them. This request is not one I expect and the alarms start going off.

I have no time right now. Police response time is between one and seven minutes, depending on where the patrol car is. There is only time to sweep some envelopes into my disposable-if-necessary bag and run like hell, tripping every sensor I avoided on my way in.

Plan A was stealing the gems. Plan B was escaping. It turns out that the translucent head hurts like hell when you put your hand through it to get the envelope, so Plan C is getting arrested.

Oh, I try hard: I lose about six seconds to pain management, and twelve to getting out of the room. I briefly consider diving out through the window at the end of the corridor until I remember that it’s barred. Instead of down, I head up six flights in the stairwell (another twenty seconds), and get the roof exit open (thirty very long seconds). There are three buildings I can jump to, so I pick the one with multiple exits, and run like a gazelle to get across.

All while this translucent blue figure is floating beside me and repeating the “Help me, Obi-Wan,” message.

The damaged hand costs me my jump because I try to use it to catch the edge of the next building and then scream in pain. I switch hands which means dropping the purse and the gems, which at least means that when the police pull me up I am not carrying contraband.

However, I’m of interest in at least two other larcenies. So they cuff me and hustle me into the squad car.

At least when the squad car starts, it leaves the blue translucent guy behind.

* * *

Thursday, September 6, 2018

Today's power-gamey idea

SYSTEM: ICONS

Well, last week, really.

Take a character with Duplication 8. Add some low level of Mind Control...maybe Mind Control 4.

The working together rules say that the group working together can add the levels to either of the levels: hitting or the level of effect. So assuming all 8 duplicates help successfully, the original suddenly has Mind Control 8...which is much better.

Heck, you can add Burst to that and affect lots of people in the crowd.

Now, I am thinking of this for a villain, so I don't need to totally adhere to the rules, but I do anyway. (If I make exceptions, it starts to become a habit, so I'm really careful about making exceptions...because I know myself.)

Steve Kenson suggested the name Crowd Control but as a villain, I'm inclined to name him Cult, and one of the PBEM threads is perfect for him.

Wednesday, September 5, 2018

ICONS: The PBEM

SYSTEM: ICONS

So I'm trying ICONS as a PBEM. I would rather some other mechanism: I wish I could be around for a face-to-face group; I wish I could reliable schedule a Roll20 group; I wish that a play-by-post forum group didn't eat more resources than squirting email. But because the time I have is during my commute and the train doesn't have Internet access so I have to rely on my data usage for my phone, the choice is between email and nothing.

The big stuff with email in the past for me has been response time, so right now it's three players, three individual stories, though I do intend for them to cross over. To make life easier, I do all the dice rolling. I'm as fair as a martphone app allows., and at regular intervals I intend to post summaries of the game so far to a Facebook game I've set up for the purpose.

If people are amenable, those summaries might also show up here, but I haven't asked yet.

Tuesday, September 4, 2018

Something like this...

SYSTEM: ICONS

I was thinking of something like this for the adventure design...something I quickly mocked up using Slides on Google. Nothing bigger than a two-page spread, more graphics than I've used here, each spread is a complete chunk or encounter.

I know that's not the way that D&D stuff is produced, but I'm actually thinking of cutting words rather than producing more. (Hey, go with your weakness, that's what I always say...)

I'll finish the quick mockup, and if I like it, then I'll do some proper design of styles and layout in Scribus, and produce the PDF there.

Monday, September 3, 2018

Characters in "For Whom the Bell Tolls" -- Mynah, Klaxon

SYSTEM: ICONS

Link to story.

ICONS

Mynah (Kendra Wahl)
Prowess Average (3) Intellect Fair (4)
Coordination Great (6) Awareness Good (5)
Strength Fair (4) Willpower Great (6)
Stamina 10 Determination 2
Specialties
  • Athletics (+1)
  • Power (Sonic Control) Expert (+2) Her sound imitations and Affliction are usually tested as if she were level 4.
Powers She has Poor (2) Sonic Control with a basic power of Images. She can also discomfit someone (an Affliction) or distract them so that she can give them suggestions, like Mind Control or hypnosis, but she thinks of it as Invisibility; maybe she’ll eventually learn otherwise.
Qualities
  • Bad luck in picking partners and nemeses
  • Precision over power
  • Doesn't understand the whole dating thing
Klaxon (Jackson Beauregard)
Prowess Average (3) Intellect Average (3)
Coordination Fair (4) Awareness Fair (4)
Strength Average (3) Willpower Good (5)
Stamina 8    
Specialties
  • Power (Energy Control) (+1)
Powers He has Great (6) Sonic Control with a default power of Blast. He can create a standing wave (Force Field) around his body. Like Kendra, he can distract people with Mind Control. Like Kendra, it has the limitation that he must create the sound (Levels) but the bell overcomes that limitation. The Bell also provides the Burst and Broadcast benefits to his powers.
Qualities
  • Racist misogynist
  • Connected with Sons of Thunder
  • Connected with Faceless Corporation

Wet Bones: the adventure

SYSTEM: ICONS

Mike Lafferty has put on YouTube the three sessions we did. I have not yet checked to see if he cut out my verbal faux pas, but with the warning that it might still be there (or you might find others), here are the links:

  1. session 1
  2. session 2
  3. session 3

This is an adventure set in the world of James Alan Gardner's All Those Explosions Were Someone Else's Fault, and my thanks to Jim for letting me use the world and my thanks to Mike for letting me run it. Faults are mine; credit is theirs.

(Yes, I should listen. But I really hate hearing and seeing myself. I'll try listening tomorrow morning on the commute.)

I want to try the PDF structure of the adventure to have each section as a two-page spread with a title, an encounter, an isometric map, and character boxes.

Craigslist story: For whom the bell tolls

For Whom the Bell Tolls

I have everything planned and then something screws it up. As usual.

About a thousand people are in the public square waiting for me and this idiot to duel to the death. The stolen bell is on the platform along with a shrewish sharp-featured guy and another guy in a white-and-red outfit who I assume is Klaxon. And me: I’m functionally invisible, skulking along because I have a plan, right?

I hear Klaxon say loudly behind me, “She’s here. It’s her.”

I do not get to equalize the odds before his sonic blast hits the bell and makes it vibrate in sympathy—

“Kill her!” he shouts.

The crowd turns into a thousand bloodthirsty mind-controlled hooligans with an appetite for moi.

The life of a supervillain wannabe is not without its problems.

#

After defeating Merlin Furioso and getting the amulet, you would think my rep would be assured and I would be swimming Scrooge McDuck-like in a vault of money and felonious contracts.

You would be wrong.

Oh, I got some nice press out of it, but that was offset by the facts that (a) I still had no way other than Craigslist (blech) to find jobs and (b) my performance in that job got criticized and minimized at every turn.

So far as (a) went, I actually considered getting jailed at one point just so that I could hob-nob with supervillains. Then my St. Bernard puppy Slobberkin would ask to go out and I realized that I couldn’t go to prison.

And (b)? I mean, hello? There was no one else in the museum but me and him, and it was all on security cams. (Okay, I had to leak the security footage but the footage was unaltered.)

But no: I had to contend with people claiming that some man did the real work, whether it was a partner or that I just waltzed in and took the amulet from Merlin. Some nights, fuelled by too many Long Island Iced Teas, I got on the Internet under an alias and argued with my detractors. (I ignored the ones who claimed I was a vigilante out to stop Merlin Furioso; that level of self-deception you cannot argue with.)

It was on one of those occasions that I encountered him. He had posted a list of “proof” that the security cam footage was a fake, and I was just drunk enough to respond. I demolished most of his points. He was online and patronizing, and I challenged him to do better.

His smug response? “Watch the news over the next couple of days. See how a man handles it.”

In the morning, I was hungover and in the process of deleting my browser history (I do it every morning, just before Slobberkin’s first walk) when I found the postings.

So I kept an eye out.

Damned if the Confederate Bell didn’t disappear from the same museum that night.

The Confederate Bell, according to the news sites, was a rarity: an actual Southern bell donated to be melted down to make cannons in 1862. Most of the bells were made by northern manufacturers, but this one had been from the south, and was spared only by the fact that it was sent to New Orleans to be melted; the city was captured in April of that year and only the clapper had been removed.

It wasn’t a subtle job: the bell was a good 700 pounds and on a stand. He disabled the security cameras and every guard was found unconscious. I presumed he had a buyer for it, because it wasn’t worth that much. Spanish bells of the same vintage go for more.

The annoying thing was that the reward offered for his capture was higher than the one offered for mine.

I posted a brief congratulations (because, hey, always networking) and figured that would be the end of it.

Okay, maybe I said something about how Mynah had done better because she had to deal with a supervillain and still got the job done.

Man, I suck at networking.

#

The shrew-like guy on the platform grabs for me. I dive through the bell stand but my heels graze the bell with a gonk. That ruins my dive and instead of rolling off the platform and under it to a safe place to turn visible, I am still on it.

I swear and I go visible anyway.

My “invisibility” is sonic: I make a sound that people don’t want to look at. It lasts as long as my breath does. I have good lungs but a minute, maybe two is tops.

The crowd is somewhere beyond hooligans. They are chanting “Kill Mynah!” in a disorganized way and the platform is shaking as they charge it.

The platform is not safe. Not for me, what with the guy trying to blast me, and not for the people around the platform. The second-last thing I want is for a seven hundred pound bell to fall and crush a bunch of people. (The last thing I want is to be killed by a mob…well, anything.) I get to a crouch and then sprint down the length of the platform off it. I make a beautiful leap over the railing and it’s kind of like crowd-surfing except where the crowd has their arms raised in fists to crush you. By ignoring who I poke and prod and pummel, I manage to get to the edge of the local knot of the crowd and hit the ground.

I don’t have any plan at this point: I’m just running with them following behind me like a pack of imprinted ducklings.

Murderous spittle-flecked rage-filled killer ducklings.

#

The online abuse was torrential, especially considering how I had never mentioned the exceedingly small and flaccid dicks these guys must have had. I shut down the account and went on with my life, which was mostly about the next score. I wasn’t terribly worried: when you decide to pursue the whole supervillain thing, you start bouncing messages through a couple of anonymizing servers and maintaining as clean a separation between identities as possible.

But I am not a hacker.

Then I got this email, sent to Mynah but addressed to the ID that I had closed. I’m not going to quote it because it called me obscene names. But it called for a showdown the next day to “prove” that I wasn’t as good as Klaxon.

Yeah. That’s what he called himself. Given the other obscenities in the note, I was surprised it wasn’t KKKlaxon. (That at least you could trademark.)

I made a T chart of the pros and cons of actually showing up. On the pro side, he knew how to contact Mynah. At least that part was working.

Lots of cons if I lost: I’d be unconscious and possibly arrested. The work trying to build my brand would be wasted. Win or lose, I’d probably get doxxed because the guy had connected one identity with Mynah.

My fingers trembled as I wrote the reply.

No win in a public contest. Mynah doesn’t see any reason to show up.

I saved it as a draft because experience has taught me that I will not see the embarrassing typo right away, and ten minutes wouldn’t hurt.

I switched computers and started researching the place where he wanted to duel. It was mentioned a lot today.

Because Klaxon had shared his challenge with media and they picked it up. The place was going to be a circus: the sketchy one-ring-no-sideshow kind.

Why did he want a lot of people around? There was a PR benefit, sure, and maybe that’s all it was. But maybe not. What would he gain from the audience?

Too many possibilities: he could have any power.

I took Slobberkin for a walk and tied him up outside the police station while I went in and stole the police report. (I can turn sort-of invisible and I take advantage: sue me.)

Then I checked to see if Shelley, the drag queen across the hall, was free at the right time.

Someone had to claim the reward for me (or bail me out of jail), because I was going to be busy as Mynah.

#

I’m busy, all right: There’s a knot of people ahead of me, so I dodge to the right. That gets me another dozen yards so I dodge right again.

Dodging right turns out to be a bad idea so I have to go left….which is away from the bell.

The bell is important. I have to get back to the bell.

Klaxon screams at me again. Unlike me, he can focus his screams and he doesn’t care if people get hurt. A guy is pulling at my carrier bag (please don’t call it a purse) and Klaxon’s scream hits him and my bag. Through the earplugs I hear something in the bag rupture and I know I have to get rid of it.

My bag has six aerosol cans of foam insulation. I was going to fill the bell with insulation so it couldn’t ring but I have no time to find and discard the leaky can—which means that the other five cans are going to be embedded in foam. I duck my head and let the bag slide off my shoulder. There’s a sssss-Whump and insulation starts leaking out the bag.

I dodge left because there’s no point in getting back to the bell if I can’t silence it.

#

My working hypothesis was that Klaxon had my powers but turned up to eleven. I hadn’t seen any evidence that he was bullet proof or could teleport or fly. In fact, the way that he stole the bell indicated that he couldn’t do any of those things.

Control minds? Sure. Evidence suggested that the guards knocked each other out. Blast things? There were a couple of broken things that suggested it. (Okay, I couldn’t blast things, but the principle is the same.)

But I figured that he just had more raw power than I had. He was different in quantity rather than quality.

Plus he used the name “Klaxon.” Kinda hinted at sound powers.

By this thinking, the bell wasn’t a symbol for his abilities, but rather a necessity. Like Merlin Furioso’s habit of talking, the bell was a necessity disguised as a quirk.

So I figured that the bell and sound were involved. I went to the hardware store and got myself some spray cans of foam insulation.

All I had to do was show up early, go sort-of invisible, and fill the bell with spray insulation so it couldn’t make sounds.

I also brought a set of filtering earphones that rendered me immune to his mind control.

Such a good plan.

#

First things first. The bell is still ringing. People are still crazy-mad.

There’s a clear patch so I’m moving in a big circle, but that gives Klaxon the opportunity: his next shot hits me and I feel like my guts are water. My knees buckle and I fall but manage to roll twice before getting up. Dammit. I need a minute. Five seconds, even.

And the filters in the earplugs are not quite good enough. That damned bell is giving me a headache.

Someone has lost a shoe. I grab it (it’s not mine) and pitch it at the bell.

And hit. The sound is muffled and fuzzy, but it’s not that damned mind control sound. One or two of the crowd that I can see come up for self-awareness before Klaxon zonks the bell again.

Conceive replacement plan: achievement unlocked.

Some of the killer duckings have sticks; I’m looking for something metal with a hole in it so I can fasten a rope to it. I don’t have a rope, but baby steps.

Ah: heavy-set guy with muttonchops and a T-shirt with a Confederate flag. His gut is too big for me to be sure that a punch to the solar plexus will do it so I deliver a foot to his crotch and catch the pipe as he drops it. Then the ducklings are nearly on me, so I start sprinting again.

My lungs are burning. If I survive, I’m adding running to my workout.

Rope, rope, rope… Nothing but an obvious answer comes to me. Sometimes you need to clip things on, so my costume has a belt with no other function. I can sacrifice the smart belt.

So I’m running, dodging, and threading my belt through this T-junction at the end of the pipe.

This is not easy.

The buckle keeps the pipe on the belt, so I swing the belt like a mace so I can get back to the platform.

Of course, even if I can silence the bell, I still have to deal with Klaxon.

#

I planned for the bell—did you think I wouldn’t plan for Klaxon?

No, the plan was not to have Shelley hit him with a tranquilizer dart. If I were just trying to get past him, that would be fine. No, I had to defeat him and do it publicly without a man’s help. Despite Shelley’s many virtues, he still identifies as male.

No, my plan had been inspired by Slobberkin: I had two dog anti-bark collars that gave a little shock every time they felt the vibration of the vocal cords. Each was taped to a big adhesive pad so I just had to get them onto his neck and then presumably I could fasten them. (I’d replaced the actual nylon collars with the pads and some zip-ties so I could close them and tighten them without a lot of extra fuss.)

Those collars were not in my bag but in the pockets I have under the epaulet-thingies on my shoulders.

You don’t think I’d design a costume without pockets, do you? The belt didn’t have pouches because that was too obvious, but I had to have a place for lockpicks, zip ties, emergency cash, and electric shock dog collars.

Do not underestimate me. I’m a working thief, not one of your runway femme fatales.

That was the message I was trying to get across to Klaxon, but he didn’t seem to be picking up what I was laying down.

#

Even killer duckings avoid being bashed in the head by a whirling pipe so momentum gets me onto the platform. The weaselly guy is gone but Klaxon is right there. This is a problem.

I need a second to look up inside the bell and figure out if I can attach my makeshift clapper. Then I need five or ten seconds to actually do it.

The clapper is usually held on by a bolt through a hole. I can thread the belt through the hole and run a zip tie through piercings in the belt. If Klaxon isn’t shooting at me.

I can’t fix the bell until I deal with Klaxon and I can’t deal with Klaxon until I fix the bell.

Well, crap. He inhales to zap me a good one—

So I grab him and run him head-first into the bell.

The sound is deafening, even with my filter ear-plugs. It’s gotta be worse for him.

Except he’s still moving. I only used one arm because I’m still holding my makeshift clapper.

He twists and grabs at me but only gets some Spandex where my belt would be. I try to clock him with the pipe but I just end up gently baffing him with the belt and the pipe hits me on the shoulder.

He opens his mouth and screams at me.

I drop the belt, I drop him. One more of those is going to take me out. Because I'm going to fall down I put my hand on the bell to steady myself and it rocks.

So I give it a hard shove.

He’s starting to get up again when seven hundred pounds of swinging bell comes up and whacks him in the head. He drops back to the platform.

I slap my first dog collar on his neck and tighten the zip tie. I don’t want to choke him but I make it snug. I'm in a hurry because there are people trying to get to us.

I scream invisibility so they won't look at us. I hope.

The bell reverberates with it so that even I don’t want to look.

The bell keeps ringing as I talk to him as urgently and memorably as I can.

“I don't want you to even think about who I really am or you will be in a world of shame and anguish. I know you worked for Faceless Corporation, Klaxon.”

Except I said their real name. And his.

Because I was just at the edge of the “accident” the company caused.

He was the one in the accident—at least the one who lived.

Who knew he had such loathsome attitudes?

(Besides every woman who worked in his department, I mean.)

#

Me beating his ass was on camera. Shelley turned him in but we haven't seen dime one of the reward money.

I felt sort of bad returning the bell—it could be useful, but it was too unwieldy.

Still, I got two jobs out of it.

I think I’m starting to get the hang of this supervillain thing.

ICONS

Mynah (Kendra Wahl)
Prowess Average (3) Intellect Fair (4)
Coordination Great (6) Awareness Good (5)
Strength Fair (4) Willpower Great (6)
Stamina 10 Determination 2
Specialties
  • Athletics (+1)
  • Power (Sonic Control) Expert (+2) Her sound imitations and Affliction are usually tested as if she were level 4.
Powers She has Poor (2) Sonic Control with a basic power of Images. She can also discomfit someone (an Affliction) or distract them so that she can give them suggestions, like Mind Control or hypnosis, but she thinks of it as Invisibility; maybe she’ll eventually learn otherwise.
Qualities
  • Bad luck in picking partners and nemeses
  • Precision over power
  • Doesn't understand the whole dating thing
Klaxon (Jackson Beauregard)
Prowess Average (3) Intellect Average (3)
Coordination Fair (4) Awareness Fair (4)
Strength Average (3) Willpower Good (5)
Stamina 8    
Specialties
  • Power (Energy Control) (+1)
Powers He has Great (6) Sonic Control with a default power of Blast. He can create a standing wave (Force Field) around his body. Like Kendra, he can distract people with Mind Control. Like Kendra, it has the limitation that he must create the sound (Levels) but the bell overcomes that limitation. The Bell also provides the Burst and Broadcast benefits to his powers.
Qualities
  • Racist misogynist
  • Connected with Sons of Thunder
  • Connected with Faceless Corporation